Picasso and his mask influences
From 1906 to 1909 was deemed to be Pablo
Picasso’s African period. During this time Picasso’s paintings were highly
influence by African sculpture, especially masks. This period of Picasso’s life
has been know as negro or black period, which came after his blue period and
rose period.
The early 20th century saw many
artifacts brought back from Africa and exhibited in Paris museums, this was due
to the expansion of the French empire into Africa. The press at that time, had
stories filled about cannibalism and engrossing tales of the African kingdom of
Dahorney. Also the exposure of the miss treatment of Africans, in the Belgian
Congo that was published in a book, the Heart of Darkness. Due to all the media
attention that Africa was being given, It was impossible for Picasso to escape
its lure; his imagination was set ablaze
when he was shown a mask from the Dan region of Africa by Henri Matisse.
In May or June of 1907, Picasso experienced
a revelation, when he was viewing some African art at the ethnographic museum
at Palais du Trocadero. This lead to a heavy influence on his painting Les
Demoiselles d’Avignon. The two figures at the right side of the painting were
heavily influence.
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